Best Dive Log Book Software' title='Best Dive Log Book Software' />A Little Dive Into Underwater Cosplay Photography Cosplay Gen. Mention underwater photography, and most would think of thousands of dollars worth of equipment camera, camera casing, diving equipment even. Well, thats not necessarily true. Today Im going to share with you guys, not just how to do it on a seriously tight budget, but also my own experience from the latest underwater shoot I did with Angie and Kazeki. But before we start, the question you have to ask yourself is how much risk youre willing to take for an underwater shoot. Me I did the shoot expecting a worst case scenario of damaging the cameras electronics from getting wet. Read on if you are willing to take that risk. A dive computer, personal decompression computer or decompression meter is a device used by an underwater diver to measure the time and depth of a dive so that a safe. Reef Magic Cruises are renowned for offering some of the best scuba diving on the Great Barrier Reef. Dive Cairns. Hej Were ScandiKitchen the home of Scandinavian food in the UK. All your favourite brands from Denmark, Finland, Sweden and Norway in store and online. Dive-Log-Book.jpg' alt='Best Dive Log Book Software' title='Best Dive Log Book Software' />So lets get straight to the point thenMaking your own underwater casing. We all know you guys are dying to know how to do it. Well, the materials needed to make your camera submersible is common sense, really. A plastic bag, a piece of acrylic or glass, and lots of sellotape. Yup, it is as simple as it sounds. And it costs way, way less than buying underwater casing or a submersible camera. The best business apps can simplify your life as an entrepreneur. Here are 25 of our favorite apps to stay organized and in charge of your business. Special class and pool 50 per person Student Kit Required text book log book dive tables quizzes exams For Classroom Or Choose Online Option add. Im talking about what two meals worth maybe. Cheapest but again, risky. Plastic Bagged Camera. Plastic Bag. Lets start off with the plastic bag. Obviously, we do not use those you fill your groceries with. People use green bags nowadays anyway. Lol Instead, find plastic bags made to hold or store food. Those you use to hold noodles or soup during take aways. That way, you know the bag is clean and, more importantly, waterproof. The third season of Charlie Brookers Black Mirror, a Twilight Zoneesque anthology TV series about technological anxieties and possible futures, was. And please, only transparent or white colored plastic bags. Acrylic. Something strong and sturdy to be able to withstand the water pressure. I used one which was 3mm thick. You should be able to find this at your local hardware store. Remember to talk to the shop on whether they can help you cut the acrylic should the size you buy be too big. Sellotape. Wider is better. End of story. Making the Casing. Here is what you need to do. As simple as it gets. The first and most important step of the process is to cut a hole in the plastic bag, slightly smaller than the size of your acrylic. Stick the plastic bag onto the acrylic with sellotape, making sure its placed flat as you stick it, so as to make it leak proof. Take off your shoulder strap from the camera. You do not want it messing up your grip when your camera is underwater. Then put your camera into the plastic bag, positioning it in a way that the lens is pointing towards the acrylic. Then tie up the opening of the plastic bag. Tie a few knots to make sure it is watertight. Camera and Settings. Its a given that the better the camera, the higher the chance of obtaining a good shot. And trust me, you will need all the dynamic range you can get. Especially in a shooting environment where you do not have the time to leisurely adjust the lighting and composition over and over again. Even while shooting at a pool, where there were no waves or water currents, we had difficulties composing our shots. So you can imagine how much more difficult it will be at the beach. Another thing, as noobish as this sounds, is that you might also want to start firing rapid shots. There will be loads of eye blinking in your shots as cosplayers try to keep their eyes open under water trying to perform certain facial expressions. That and air bubbles coming out of the cosplayers mouth, nose, costumes, and more. Lol You wouldnt want to capture a perfectly composed shot only to have bubbles covering the cosplayers eyes. Yeah, photographers would know how that feels. As for how I did my shots, I used local focus method. I picked a specific point I wanted my camera to focus on, then discussed with the cosplayer on how the pose will be like and in which direction they should be moving in, swimming or not. As I mentioned above, it is near impossible to stay still under water, even if you are a good swimmer. Youll be surprised how much difference swimming with your usual attire and swimming with a costume is. Seeing as it is impossible to stay still, you might as well set the shot up in a way that the direction of the movement would be what you aim to capture, right So you have rapid shots set, local focusing checked, next is continuous AF. Although the speed difference between manually refocusing the shot and have AF do the job is arguably minimal, there is still a difference. And as they say, a little goes a long way. Cosplayer. As for the cosplayers, waterproof makeup does NOT work. The moment you get into the water, eyelashes will drift off, eyes with contact lenses on will hurt, powder and foundation will smudge, well, you get the picture. Also, dont even think about using double sided tape and elephant glue on costumes. The moment you go into the water, the pressure of the water pushing your costume up alone will tear it apart. Sewn costumes is the way to go. Finally, take note of the little details like accessories and ornaments. Make sure they are secured tightly. Helpers. You will definitely need at least one other swimmer, someone who can help hold the photographer in place. In my case, I wasnt a good swimmer, so I had a helper push me all the way down to the bottom of the pool, then hold me still and prevent me from floating up while both my hands were on the camera and I concentrated on shooting alone. In fact, I had another helper push Angie down to the bottom of the pool to get a certain shot. Thats about it then. Before going for the actual shoot, test things out by dipping your newly made casing into a bucket of water. Check for water entering the plastic bag. Take a few shots and see how it goes. If it all goes well, youre good to goDive Tycho album Wikipedia. Dive is the second studio album by American ambient musician Scott Hansens project Tycho. Taking around five years to produce and write, Dive, according to Hansen, is a set of artifacts from a future which might have more in common with our past than our present. It is a hypnagogic popbalearic. IDMelectronica record with a sound and style that was compared to the works of Scottish group Boards of Canada by multiple professional music journalists. Repair Hard Disk Software. Dive was released on November 8, 2. Ghostly International to mostly positive reviews from critics, and it landed on Billboards United States Top DanceElectronic Albums and Top Heatseekers Albums charts. Dive continues what a Drowned in Sound writer described as the formula of radar loops and Massive Attack beats from past Tycho albums and was also made with mostly hardware and analog equipment like previous records of the project. However, there were also differences in terms of the vibe of Dive and how the album was made. Hansen switched from Cakewalk Sonar to REAPER for digital audio workstation based arranging and mixing during production of Dive. The LP was the first Tycho record to be made with outboard gear such as pre amps, analog delay devices, and old digital reverb software, as well as use microphone recorded acoustic instrumentation. The sound and vibe of the album was also considered more dynamic, multidimensional, and livelier than past Tycho records by reviewers. ConcepteditDive, according to Hansen, is a set of artifacts from a future which might have more in common with our past than our present. He described it as the full picture of what he was trying to make with the past two Tycho LPs, Sunrise Projector 2. Past Is Prologue 2. Writing and influenceseditThe first song written for Dive was Adrift, the last being Elegy. Scott Hansen began writing most of the songs on guitar, some of the albums tracks even having guitars in them. He said that when he played a guitar, he often made more mistakes, and that characterized my process more than anything, experimentation and mistakes. And thats what is interesting because, in that way, the songs kind of create themselves and youre there more to witness it. The only track on Dive that Hansen started making with digital equipment was the title track he began making the song on a software synthesizer before adding other analog instruments. Hansen explained that each song was developed in little bits of inspiration, and that taking that idea to what I consider to be a finished product is a very, very long, winding road of meticulously going over every detail. In making each track, he first created a 1. For making the drums, he started with making a loop to give himself an idea or a grid. The last objective he completed in producing each song was editing and arranging the drum and percussion sounds. Hansen was influenced by the works of DJ Shadow to have all of the tracks contain multiple ideas, where the listener goes on a journey through. As Hansen said, I like to look at my songs as having a main part, an interlude, and almost like another song at the end. Listening to progressive rock also influenced Hansen to created an album pretty informed by stepping outside the boundaries of normal experience, or your daily life, and just trying to get to another kind of space. He also explained, I didnt want to go all the way into that world of, like, Hey, man, when youre high this sounds really good. I try to avoid self indulgence at all costs. ProductioneditDive took approximately five years to complete. As with previous Tycho records, Dive was made mostly with hardware production devices and analog sound generators 4 in fact, many of the sounds that appear on the album were produced on a Minimoog. The only time digital software was used was for arranging the songs and adding EQ and compression to the instrument recordings, which was all done in the digital audio workstation. REAPER. 4There were many differences in how Dive was produced in comparison to Tychos previous albums. Around a year before Hansen completed the album, he switched the digital workstation he was using from Cakewalk Sonar to REAPER. He reasoned that Cakewalk just wasnt working anymore for his flow9 and that Reaper allowed him to look at it as a multi track tape player. But he didnt have to pull out the tape and the razor blades to do the editing. Hansen explained, I was just struggling to get this album off the ground and the second I jumped in Reaper it was done. Dive was the first Tycho album where Hansen recorded acoustic instruments with microphones, thus it features many more guitar and electric bass parts than past Tycho records. It was also the first Tycho record to be made with outboard gear such as pre amps, analog delay devices, and old digital reverb software. CompositioneditDive is an hypnagogic pop1. IDM1. 2electronica1. Reyan Ali wrote, uses the sleek and economical construction of post punk, synthesizers that have the same imaginative color as shoegaze guitars, and post rock esque crescendos and build. Elements of space music are also present. George Bass, a reviewer for Drowned in Sound analyzed that Dive maintains the same formula of radar loops and Massive Attack beats as Sunrise Projector. The LP mainly consists of a sound palette of female humming, what Derek Miller of Resident Advisor described as pulsing synthesizers, what Ali described as spacey blips, subtle acoustic guitar, ocean foley, and what Miller called sparkling drum machines. Miller described Dive as sun blanched, caked in reverb and semi hallucinatory fuzz, and kind of wavy at the point where visual lines intersect. Critic Loren Auda Poin analyzed that the synthesizer sounds border on vagueness, barely holding their jelly like shape as they coalesce atop relaxed but driving beats. In numerous reviews, Dives sound and style was compared to the works of Boards of Canada. Allmusics Jason Lymangrover was one of these critics, writing that it uses the same format of liquid keyboards drizzled over gentle beats as the works of Boards of Canada and Ulrich Schnauss. He also grouped the album with other electronica artists such as M8. Neon Indian and Small Black. Eric Harvey of Spin magazine more specifically compared Dive to an LP by Boards of Canada named Geogaddi. Bass described the albums sound as consisting of pink sunsets, shuffling hipsters and old video hardware. Some critics have also made direct comparisons of Dive to the works of chillwave artists such as Toro Y Moi and Washed Out. Ali compared Dive to The Earth Is Not a Cold Dead Place 2. Explosions in the Sky, due to its many gorgeous hues, as well as its musical style to the works of Air. Joe Colly of Pitchfork compared Dive to Boards of Canada and Bibio in terms of its electro organic sound structure of synthesizers and live instruments. He wrote that what differentiates Dive from the works of other independent artists that use electro organic arrangements is the simple and OCD level way each track is crafted and built up.